Creativity in lockdown

Lockdown has seen a rise in some wonderfully creative thinking from our brilliant industry when it comes to finding different ways to deliver performances to audiences despite restrictions. Here we highlight some of the work our clients have been involved with during lockdown.

Marc Zayat has been kept busy with the new and hilarious comedy play, Bog Roll Bandits. Hosted by Ethereal Theatre Company, which Marc also co-founded, and in collaboration with The Cockpit Broadcast, Bog Roll Bandits follows six neighbours in lockdown prepared to risk everything to pull off the biggest toilet paper heist of 2020. Set in the magical world of Zoom, with friendships, jobs and Banana Bread on the line, will they succeed? Marc is co-creator of the project and plays the role of the lovable, geeky conspiracy theorist, Tyler.

Another Actorum member creating brilliant lockdown-inspired work is Maria Forrester who is currently co-writing, co-producing and co-starring in new web series, The Insiders. Available to view on YouTube, the series follows the highs and lows of a couple isolating together during the Covid-19 lockdown in London. It’s a feel-good, modern series that tackles a relevant and difficult subject with loads of heart and courage. Impressively, the series is all shot on one iPhone in a small one-bed flat.

It’s not all about brand new work though, Actorum’s Ben Galpin recently took part in a live-streamed reading of Shakespeare’s Love Labour’s Lost as part of The Show Must Go Online. The project comprises a global cast in weekly readings of the Complete Plays of Shakespeare, read in the order they were believed to have been written. Ben played the love-struck Berowne, complete with a green parrot, collection of hats and a wooden spoon tree! Full show available here.

Nadia Shash can be seen on The Little Angel Theatre’s YouTube channel reading the well-loved classic Beauty and the Beast. These recordings are part of The Little Angel Theatre’s ‘Stories for Children’ series, taking tales, read by some of their brilliant actor-puppeteers, in to their audience’s homes to provide some comfort and entertainment whilst the theatre is having to be closed. Nadia has previously worked with Little Angel Theatre on both Zeraffa Giraffa and Emily Rising.

Rosie Abraham can also be seen online reading a children’s story and hers is for dramatherapy charity, Roundabout. Since the start of lockdown Roundabout has been providing therapeutic online resources for their clients, one of which is “Roundabout-A-Story”. It aims to create a bank of stories for children and their families to share at this challenging time. Rosie wrote and recorded a story called Magnificent Dolores, which is about a pony who doesn’t know she’s a unicorn.

11 Things to Keep You Busy While the Industry Sleeps

Actorum members have come together to offer fellow actors some ideas of how to keep busy while our industry sleeps. Here they are, introduced by lead agent Amy Loughton.

“Our industry has offered an unexpected pause. It’s a frightening one that’s left us all a bit wobbled, but I wanted to share the resilience I’ve seen, within our co-op but also within our industry. It’s the same resilience that we learn as freelancers, lurching from job to job, finding a way to make ends meet, keeping our focus on a long term end goal whilst battling through the day to day. The truth is, we, the artists, we the flexible workers, we the ever-adaptable, have the strength for this. We can take each day at a time and keep our eye on the prize, that glimmer of hope at the end of the tunnel. Sometimes this is expressed in the wonder of costume friends making scrubs, puppeteers using 3d-printers for making visors, the spreadsheet lovers among us setting up mutual aid groups, people creating art from their living rooms. Sometimes it’s seen through the strength of getting through the day, dealing with your own mental health as gently as you can and supporting those you care about. We can do this. Take it easy. Take it day by day. But if you’re bored and fancy a focus, take a look below for some ideas to keep you busy…”

1. Start a culture club

The premise here is very simple; gather some friends and come up with something you’d be up for listening to / reading / watching and do just that, then discuss and review it at an agreed later date. (The inclusion of bevs and snacks at the discussion and review stage is greatly encouraged.) This could be a great time to challenge yourself by going for something you wouldn’t usually when it’s your turn to choose the focus. Go big and stay home, as they say. The broadening of your cultural horizons will no doubt serve to make you a more rounded artist.

2. Organise an online play reading

Stretch those muscles of yours with a play reading with some mates in the Zoom auditorium. Obviously it won’t be the same as standing on stage opposite other actors but you’ll still be connecting playing, and most importantly feeding yourself some soul food. It doesn’t have to be for anybody except yourselves, but it could be if you wanted. You could invite an audience along to the same online meeting for them to have a listen to the fine performances you’ll no doubt come up with.

3. Get your teeth in to some new monologues

Generally for castings we’re asked to prepare something from the script of the piece we’re auditioning for but sometimes a request for an unrelated monologue comes in, and totally catches some of us off guard. Now you’ve got some time on our hands you could do some reading and start working on some fresh audition pieces remembering to always tailor your selection to the types of characters you could play right now. Don’t know where to start? Ask a colleague whether they have any recommendations for you, and be ready to return the favour.

4. Music

More and more theatre castings require us to have a song or an instrument up our sleeves and for may actors this can be a source of dread. Why not consider using this time to research and learn a few new songs, or dust off that oboe that’s been lying under your bed for the last eighteen months? YouTube is full of instrument warm ups and there are many music archives online to delve in to for ideas for pieces. Unless you’re an MT whizz auditioning for a fully fledged musical, keep your musical offerings simple. This will mean you can really feel secure in what you’re doing and totally own it in the room. And maybe even enjoy it…

5. Physical Exercise

Not only will a consistent bit of exercise generate some much-needed endorphins, it will improve your physical strength and stamina. There are a host of resources online catering to different ability levels, time-constraints and varied mobility. This is all about keeping yourself moving and taking ownership of your own body and doing what you can to enable it to best serve you.

6. Listen to some podcasts

Hearing industry insights and the experiences of different actors is empowering, enlightening and inspiring. Many podcasts give voice to our industry and its creatives and are available for free, so why not take advantage? There include The Honest Actors Podcast, The Spotlight Podcast, The 98%, and the National Theatre Podcast. Platforms for these include Apple Podcasts, Spotify and BBC Sounds, but if you search online for one of the titles you should have no trouble accessing them. If you heard a goodie, why not share it with a colleague or two?

7. Keep your tools sharp

This is our craft we’re talking about, let’s not let our tools go blunt. Perhaps now is a time to consider which area needs attention. Does your breath control go out the window when you have to sight read Shakespeare? Read a sonnet a day, out loud, and challenge yourself to be as economical as possible with your breath. Does the idea of working with a camera make you anxious? Set aside an hour a day to practice your camera technique by filming something – anything – on your phone and, crucially, watching it back. How’s your eye line? How’s the lighting? Is the performance at a levels that’s appropriate for screen? It might be uncomfortable at first but what you’ll be doing is empowering yourself to improve by subjectively assessing your skills as they stand right now.

8. Make a voice recording booth

From Chris Porter: “I repurposed a linen cupboard into a voice recording booth, the sheets and blankets are great for deadening unwanted sound and echoes. The trains passing on the other side of the garden fence are an intermittent and unsolvable intrusion at the moment…”

9. Stay inspired

Ask yourself if there is one thing you could be doing every day, one style of work you could be creating every day, what would it be? Maybe there’s a particular company, director or practitioner who’s work lights you up. Once you know the answer then seek it out on the platforms available to you now. If it’s theatre, The National, Chichester Festival Theatre and The Royal Court are just some of the institutions opening up their online archives to us for free at this time. For screen, the BBC, ITV, All 4, Netflix, Amazon, the list goes on! Ask yourself what it is that lights you up and find it. Maybe it’s BBC Three mockumentaries, or epic physical theatre, or sitcoms, or political theatre. It’s all there to be had and the key here is to be as specific as possible.

10. Get on top of your marketing and admin

Does your Spotlight CV need a clean up? Do you have a website that needs an update? Do you know who’s casting or making the work that you’re hungry for and can you tailor your CV and marketing focus to reflect your skill set in this area? The more research you can do in to the companies you’re keen to work for, the better enabled you’ll be to promote yourself in a way that’s appealing to them because you’ll have a better idea of what they need. Do you have a database of who you’ve met, who you’d like to meet and who has seen your work? If not, now is the time to create such contact lists! Find those theatre companies or film makers who chime with you artistically, dig deep and learn more about them. It’s not all about lining up the next job, it’s just as important to equip yourself, find your voice and your people.

11. Tax return

Do it now! Your future self will be so grateful (and a bit smug) come January.

We hope that what we’ve offered above may be helpful but our final thought is that this could be an ideal time to zoom out, as Amy explains, “It’s a weird time, no one can really argue that at the moment, but this could be an ideal opportunity to take your foot off the gas. As actors we’re often scrabbling to keep up, to keep competing, to keep ourselves permanently ready. This could be a great time to sit down with your personal goals and have a nice in-depth assess of where you are and where you want to go. Why do you want this career? What stories do you really want to tell? It’s just as important to check in with yourself as it is to action action action. Never forget, this is a marathon not a sprint.”

Kandaka Moore in Mid Life

Kandaka Moore is currently performing in Mid Life, a co-production between Bristol Old Vic and Diverse City. The production started at Bristol Old Vic before playing for a short time at the Barbican and will finish back at the Old Vic.

The taboo-smashing production is based on interviews with 50 women in Bristol experiencing menopause, this BSL-interpreted and Audio Described production is a rip-roaring exploration into one of life’s often-vetoed topics.

Kandaka’s role in the piece is as an actor, composer and singer. In Stage Talk’s four star review of the show Simon Bishops writes, “Flitting between these three [performers] and adding an almost metaphysical presence is the sylph-like Kandaka Moore, singing a background narrative with a deliciously intoxicating voice, while acting as an ‘invisible’ link between the women”.

Melissa Parker in VAULT Festival’s Something Awful

Melissa Parker played Ellie in Something Awful – a new play from Vault Award winning and Off West End Award nominated team Tatty Hennessy and Lucy Jane Atkinson, inspired by the real true crime story of the Slenderman. It’s a play about what we should be scared of, and where the real monsters live.

Soph and her best friend Jel love scary stories. They hunt for the best ones on creepypasta sites, hunting the darkest online corners. But then strange and beautiful new girl Ellie turns up at school with a horror story of her own; a mysterious figure in the woods, the shadow of an axe. And when a girl in a nearby town goes missing, it seems their online monster’s come to life.

The show ran at the VAULT Festival from 28 Jan – 2 Feb. Visit the official website.

Ben Galpin & Marc Zayat perform at Sharjah Fringe Festival

Ben Galpin and Marc Zayat travelled to the inaugural Sharjah Fringe Festival in the United Arab Emirates to perform in Joyce.

Ben played Dad and Marc played Bo-Bo the Hamster, who journey together into the world of a storybook in this hilarious and heart-warming family show. On their way, they meet some extraordinary characters including a stick of Dynamite who could explode at any moment; an inventive, futuristic Spacewoman; a daydreaming medieval Prince; and a Giant who yearns to be small.

Complete with puppetry, music and live magic, this enchanting and colourful new adventure dazzled audiences from 18 Jan – 1 Feb 2020. Read more on the Sharjah Fringe website or enjoy the trailer below.