Jack Collard

  • Biography
  • Reviews

Jack is a highly versatile young actor who trained at LAMDA. He’s worked across a wide variety of performance mediums, both domestically and internationally, including Film, Theatre, Performance/Motion Capture, Voice Over, Puppetry, Radio, and Virtual Reality.

Recently he’s performed on stage in Monica (59E59, NYC/Edinburgh), Magpies and Mischief (Jersey Arts Centre), Mr. Poppers Penguins (Seattle Children’s Theatre), on camera in Belgravia for Carnival Productions/ITV, as well as Loyalty and An Encounter, voiced the Audiobook World War O on Audible, and provided Performance and Motion Capture for ALIVE Studios, Birmingham and Aston University researchers.

His credits also include Think of England (UK tour), Jane Eyre (Rosemary Branch), All That Lives (Ovalhouse Theatre), and Naked Not Nude (The Print Room).

He has undertaken extensive Performance Capture training with the MOCAP Vaults under the tutorage of Oliver Hollis-Leick, John Dower, Arnold Palmer and Gareth Taylor. He is experienced working in various volumes and suits, from small 10 camera volumes, to the large Centroid stage at Pinewood, in both Optical Reflective and Inertial suits.

In addition to this he is experienced in capturing data for; Full Performance Capture, Facial Capture, Body Capture, Working to Pre-recorded Audio, Improvisation, Direct to Camera/Player Address, Locomotion, and Motion Captured combat.

Think of England

Collard is brilliant as the more naïve and young officer, and I felt myself rooting for him for the majority of the show as well as wanting to know more of his story after the play ended.
★★★★★ The Theatre Tourist

Mod Girl

Jack Collard portrayed his character flawlessly, developing it through to the bitter end. 
EdFringe Review

The standout performance is however Jack Collard as JW: his, as horribly clichéd a phrase as it is, quiet intensity nicely offsets both the other characters and the writing itself: if this piece is ‘reflective’ at all it is because of him. And, although I won’t spoil the end, the cool and critical disinterest with which he regards his fellow characters is understandable as analogous to the way he views the world
EdFringe Review